A lesser work of one of great hard rock bands still easily makes this here list.
The audacious (never before seen in human history?) ranking of the best 1,000 albums ever — each with a deep dive, personal stories, and pop culture tie-ins.
A lesser work of one of great hard rock bands still easily makes this here list.
When I think about what I want out of lively, jumping jazz from the 1950s, this album answers the call.
A stunning collection of post-punk (but mostly leaning into the punk side, and thankfully so) artists out of the UK.
A strong sense of humor and the musical chops to create songs that are both fun and musically compelling.
This is a (small!) collection of songs that demanded to make this list by a fun, brash, and talented band at their early best.
It’s delicate (grunge?), but it all clicks.
Because sometimes music can save your life, and sometimes music can save a best 1,000 albums ever list (or both?).
Old school rock n’ roll that jumps and swings and pulses and grooves.
Wu-Tang Clan and RZA vibes await.
Ebullient spirit imbued with (Ramones-y) punk energy and great pop hooks.
While sprawling and uneven, this double album contains some of Tupac Shakur’s best artistic output.
It’s out there and it’s freaky and it’s punk and it rocks and it all works marvelously well.
Melancholy yet upbeat, accessible yet deeply indie.
Revved up garage rock with punk attitude. Get it.
Variety and range, from hardcore punk to an acoustic jam that you could almost imagine being on a 1980s-era Midnight Oil record.
Fun power pop with a little punk and glam influence thrown in – nothing wrong with that (and much that’s right).
The definition of heavy metal.
Blue on blue, heartache on heartache.
Alt country that pleasantly zooms along with lyrics that are genuinely funny and clever.
Old school punk that’s completely pleasing and satisfying to the ear.
Blues and folk music from a true master.
An unusual musical locale that’s hard to nail down, but well worth the journey.
Irony and kitsch beget musical admiration beget deep nostalgia.
Quintessential mid-1990s alternative rock.
From ska to punk to new wave to pop, all performed with the extreme exuberance and confidence of youth and with tongues firmly planted in cheeks… I guess you can only describe it as Madness.
Definitely not for everyone, but this wildly and weirdly experimental rock album has dizzying and genre transmorphing moments that are tremendously exciting.
Spanning elegant, gorgeous pop, soul, and down and dirty blues.
Effervescent Britpop from the mid-‘90s with hooks to match.
Early ‘80s new wave-meets-garage rock with fantastic keyboards.
YouTube’s lofi girl and Spotify yield lofi hip hop bliss. That’s a bingo!
If you’ve got an electro house urge, this album brings the satisfaction.
An album that makes you think about music as a lifelong lifeline.
Brazilian and bossa nova roots with a modern upbeat lounge feel.
Underground French hip hop that reminds me that there’s nothing better than discovering great music.
It’s kind of weird and disturbing and great. Come take the trip.
An unusual but ultimately pleasing combination of traditional Irish music and modern American rock.
Adams spans singer songwriter-y pop to chilled out rock to alt country for quite a moody trip.
A delirious blast of UK punk.
Too low to find my way, too high to wonder why.
I defy you to come away from this one without humming “I need a dollar, dollar, dollar that’s what I need…”
Serious about its 1970s and 1980s guitar rock sensibilities. Doubly serious about having a gas in the lyrical content department.
Aggressive yet upbeat, fast paced and super fun power poppy punk by way of Seattle, Washington.
Smart, blistering underground hip hop with ultra-tight flow.
Smooth, sexy, doo wop-y, rocking late 1950s vibes that project energy and fun.
If you’re not yet hip to it, suddenly you shall see that super satisfying sounds abound.
Uh… this album is crazy. Good crazy, but crazy. Dig it.
“War” first and foremost, but make peace with the fact there’s also a lot of other great songs going down here.
Mia Zapata’s vocals matched with urgent, raucous, punky Seattle grunge energy.
Tight-as-a-drum, chugging, thunderous, and gloriously aggressive metal.
Exquisite 1950s-era New York City jazz replete with vibraphone tidings and jazz lounge vibes.