So why is Transplants’ Haunted Cities on this best 1,000 albums ever thing?
It occurs to me that Haunted Cities will be a pretty strange – and certainly bracing – listen for anyone with no grounding in Transplants: what’s on this record, or the background of this “supergroup” featuring Rancid’s Tim Armstrong, Blink-182’s Travis Barker, and sandpaper-voiced rapper Rob Aston.
Haunted Cities is pretty eclectic, and if you happen to come in from a certain angle, the odd mixture of punk and hip-hop meshed with a truly menacing vibe (especially when Aston gets on the mic for a verse) will likely send some running for the hills.
Haunted Cities is eclectic, an unusual mix of punk and hip-hop with a truly menacing vibe –especially when Aston grabs the mix – that might send some running for the hills.
But there are true sonic gems hiding on these streets, if you know where to look.
“Doomsday” is a wildly exhilarating ride through “a shadowy world, wasteland mean and hard boiled.” Like Rancid’s best material, the Transplants at their best leverage Tim Armstrong’s fantastic punk guitar hooks and his odd but unmistakable vocal stylings.
But with Transplants, Armstrong is able to be more experimental and show off his talky/rap-like vocals, which work rather well when deployed correctly. And on “Doomsday,” Aston is expertly leveraged (short, punchy, sandpapery, and out) as well.
“I Want It All” has a sunnier vibe by Transplants standards (at least musically!), and I can imagine its chorus being used by Mike Skinner on a song by The Streets.
“Killafornia” has an effectively menacing sound, with a great piano backing it that reminds me of the fantastic “Diamonds and Guns,” off Transplants’ (amazing) debut album from 2002. It also features B-Real of Cypress Hill fame (Sen Dog appears on a more forgettable track, “Not Today”), who as always is great.
Personal stuff that’s somehow related to Transplants’ Haunted Cities
I interviewed Rob Aston around the time Haunted Cities was released for Blogcritics, a blogging community I was helping to run at the time. The interview is no longer available on the web, unfortunately, lost to the sands of time and technology.
The thing that I remember most is that Aston espoused a “get yours before they take yours” attitude about life. And he meant it literally – if someone has something you want and you can take it, you should. It’s hard to tell if he was playing a role or character in terms of this interview, but he certainly seemed quite serious and genuine to me.
Some stats & info about Transplants – Haunted Cities
- What kind of musical stylings does this album represent? SoCal Bands, Rap Rock, Alternative Rock, Punk Revival, Punk Rock
- Rolling Stone’s greatest 500 albums ranking – not ranked!
- All Music’s rating – 4 out of 5 stars
- When was Haunted Cities released? 2005
- My ranking, the one you’re reading right now – #683 out of 1,000
Transplants’ Haunted Cities on Spotify
A lyrical snippet from Transplants’ Haunted Cities that’s evocative of the album in some way, maybe
I was born in a shadowy world, wasteland, mean and hard-boiled.
What does the “best 1,000 albums ever” mean and why are you doing this?
Yeah, I know it’s audacious, a little crazy (okay, maybe a lot cray cray), bordering on criminal nerdery.
But here’s what it’s NOT: a definitive list of the Greatest Albums of All-Time. This is 100% my own personal super biased, incredibly subjective review of what my top 1,000 albums are, ranked in painstaking order over the course of doing research for nearly a year, Rob from High Fidelity style. Find out more about why I embarked on a best 1,000 albums ever project.