Why are there so few great songs about not selling out? A Gen X rabbit hole through punk, ska, Devo, and suburban conformity.

Why are there so few great songs about not selling out? A Gen X rabbit hole through punk, ska, Devo, and suburban conformity.
How TV captured the national mood during the Biden years — trauma, absurdism, capitalism, and the uneasy calm between Trump eras.
“Currahee,” Band of Brothers’ opening episode, remains a masterclass in full immersion storytelling.
How Warfare reframes modern combat as messy, raw, and wildly realistic.
Matt Damon is one of Hollywood’s most likable stars — which makes his bad and morally gray roles even more fascinating.
Sunday night TV is back, with thoughts on Industry, A Knight of the Seven Kingdoms, Tubi deep dives, Black Mirror, and recent music obsessions.
Jersey Shore, Long Island bullies, and Ronnie’s infamous “one shot” — a pop culture memoir about vengeance and fantasy.
The Rip is a good, pulpy crime thriller that knows it’s a movie — not a limited series, not prestige TV, just a tight two-hour ride.
A Knight of the Seven Kingdoms delivers small stakes, sharp writing, and genuine laughs — a refreshing reminder of the joy of talky prestige TV.
The Sopranos, early Netflix DVDs, and how a single car door opens up memory, pop culture, and time.
The 50 Stephen King books that have meant the most to my life, ranked from The Dark Tower to 11/22/63 and beyond.
Five astoundingly good TV shows from the 2020s that got lost in the cultural shuffle — and are absolutely worth your time.
A Knight of the Seven Kingdoms teases a smaller, lighter Westeros story — less dragons, more humor, and a legit good guy at the center.
With Season 8 on the way, here’s Pop Thruster’s take on every Black Mirror episode, revealing what the show does best when it’s scary — and when it’s beautiful.
Iron Eagle, Queen’s “One Vision,” and a fried chicken lyric collide in a nostalgic dive into ’80s movies, music, and formative pop culture.
I wanted to love One Battle After Another. Instead, it forced me to confront my discomfort with political violence and what I want out of art.
A Scene Busters look at Colin Hanks’ TV career — from Band of Brothers to Fargo — and why his earnest everyman presence keeps showing up in great shows.
A lot goes down in the Industry pilot, HBO’s go-hard drama about high finance in London.
50 movies from this century we return to again and again.
The best TV episodes of the 2020s so far — 15 unforgettable hours from Succession, Andor, Atlanta, The Last of Us, and beyond.
Pop Thruster Scene Busters spotlights the iconic cameos that hijack True Romance — from Gandolfini and Oldman to Walken, Pitt, and Hopper.
A holiday Afterburner from Pop Thruster: Pluribus, ’90s indie movies, comfort TV, books, headphones, and a game worth your time.
Rewatching Mad Men’s pilot means asking dangerous questions.
Better Off Dead + synth pop + Howard Jones equals the most 1980s song ever.
Tracking the new TV shows heading into 2026 that actually caught our attention, including A Knight of the Seven Kingdoms, DTF St. Louis, and RJ Decker.
A modern Las Vegas drama from the Billions creators has Martin Scorsese on board, and that alone is reason to be amped.
Pluribus is Vince Gilligan’s bold, unpredictable new Apple TV+ series. Here’s why it’s one of the most fascinating shows on television right now.
Pop Thruster’s Top 10 TV shows of 2025, from The White Lotus and Task to The Rehearsal and The Last of Us, ranked by what hit hardest this year.
Landman is fun, pulpy TV, but its real secret weapon is an absurdly stacked cast. Billy Bob Thornton, Ali Larter, Demi Moore and more elevate it.
Carlito’s Way earns Mount Rushmore NYC status: Pacino at his most grounded, Penn unhinged, and De Palma delivering a stunning, muscular final half hour.
I don’t care what you think unless it is about me.
I don’t know what I’m hungry for – I don’t know what I want anymore.
Talk and song from tongues of lilting grace, sounds caress my ear.
Break on through to the other side.
I want to live on an abstract plain.
It’s the sound of science.
How you gonna top yourself when there is nobody else?
Sound system gonna bring me back up, yeah, one thing that I can depend on.
And if you want beef, then bring the ruckus.
Because the world is round, it turns me on because the world is round.
The land of the free? Whoever told you that is your enemy.
In the pines, in the pines, where the sun don’t ever shine, I would shiver the whole night through.
Cancel my subscription to the resurrection.
We can get down.
All the lonely people – where do they all come from?
This is not a show.
I’m not here, this isn’t happening.
I got time on my hands.
Ryan Hansen’s Kyle from Party Down shows up in Nobody Wants This – yes, in a Karma Rocket shirt – creating a surprise connected TV universe.
Said it once before but it bears repeating now.