Britpop that’s deeply soaked in 1970s and 1980s influences spanning post-punk to glam rock to synth pop to dance music.
Britpop that’s deeply soaked in 1970s and 1980s influences spanning post-punk to glam rock to synth pop to dance music.
A freight train of pioneering grungy punk rock energy.
I can think of, say, uno dos tres quatro cinco cinco seis reasons…
Equal parts fun, good, and ironic.
Folk rock that bridges the gap from the 1960s to the Lilith Fair generation.
You’d have to have a head like a hole not to.
Upbeat ska and punk, expertly mixed with great hooks and strong musicianship overall.
It gets under your skin, holding a dark, rocking, and compelling power.
A strong sense of humor and the musical chops to create songs that are both fun and musically compelling.
This is a (small!) collection of songs that demanded to make this list by a fun, brash, and talented band at their early best.
It’s delicate (grunge?), but it all clicks.
Because sometimes music can save your life, and sometimes music can save a best 1,000 albums ever list (or both?).
Ebullient spirit imbued with (Ramones-y) punk energy and great pop hooks.
Melancholy yet upbeat, accessible yet deeply indie.
Revved up garage rock with punk attitude. Get it.
Variety and range, from hardcore punk to an acoustic jam that you could almost imagine being on a 1980s-era Midnight Oil record.
Fun power pop with a little punk and glam influence thrown in – nothing wrong with that (and much that’s right).
Quintessential mid-1990s alternative rock.
It’s kind of weird and disturbing and great. Come take the trip.
Serious about its 1970s and 1980s guitar rock sensibilities. Doubly serious about having a gas in the lyrical content department.
Aggressive yet upbeat, fast paced and super fun power poppy punk by way of Seattle, Washington.
Uh… this album is crazy. Good crazy, but crazy. Dig it.
Mia Zapata’s vocals matched with urgent, raucous, punky Seattle grunge energy.
Top notch early ‘90s alt/indie rock with fantastic vocals and a knack for poppy hooks.
Crunching, groovy electro beats that could chew through the back of the club (or your mind, yeah?).
Wildly eclectic and inventive music that pings between punk to indie with many inviting ports of call in between.
“Scott Pilgrim” and many others are a fantastic blend of garage, poppy punk, and indie rock that are addictively ear pleasing.
It’s fresh, indie, passionate, and punk, all the more remarkable for an album produced some four decades ago