If you’ve got an electro house urge, this album brings the satisfaction.
If you’ve got an electro house urge, this album brings the satisfaction.
An album that makes you think about music as a lifelong lifeline.
Brazilian and bossa nova roots with a modern upbeat lounge feel.
Underground French hip hop that reminds me that there’s nothing better than discovering great music.
It’s kind of weird and disturbing and great. Come take the trip.
An unusual but ultimately pleasing combination of traditional Irish music and modern American rock.
Adams spans singer songwriter-y pop to chilled out rock to alt country for quite a moody trip.
A delirious blast of UK punk.
Too low to find my way, too high to wonder why.
I defy you to come away from this one without humming “I need a dollar, dollar, dollar that’s what I need…”
Serious about its 1970s and 1980s guitar rock sensibilities. Doubly serious about having a gas in the lyrical content department.
Aggressive yet upbeat, fast paced and super fun power poppy punk by way of Seattle, Washington.
Smart, blistering underground hip hop with ultra-tight flow.
Smooth, sexy, doo wop-y, rocking late 1950s vibes that project energy and fun.
If you’re not yet hip to it, suddenly you shall see that super satisfying sounds abound.
Uh… this album is crazy. Good crazy, but crazy. Dig it.
“War” first and foremost, but make peace with the fact there’s also a lot of other great songs going down here.
Mia Zapata’s vocals matched with urgent, raucous, punky Seattle grunge energy.
Tight-as-a-drum, chugging, thunderous, and gloriously aggressive metal.
Exquisite 1950s-era New York City jazz replete with vibraphone tidings and jazz lounge vibes.
Head bobbing roots reggae with intense, consciousness-raising lyrics.
Top notch early ‘90s alt/indie rock with fantastic vocals and a knack for poppy hooks.
Old school hip hop with flavors of A Tribe Called Quest and Digable Planets, and that’s just sweet.
This zig zag wander ain’t for everyone, but for me it’s sure ‘nuff ‘n’ yes, I do!
Smart, catchy, arty new wave-y punk that gets under your skin in the best kind of way.
Crunching, groovy electro beats that could chew through the back of the club (or your mind, yeah?).
Incredible songcraft, wild variety, and the magical odd couple combo of Campbell’s whispery delightful voice and Lanegan’s world weary soft growl.
Love love “Bulletproof,” and the whole album has a high-octane dance pop energy.
Whatever he chooses to call himself, MF Doom… er, Viktor Vaughn is a hip hop genius.
Wildly eclectic and inventive music that pings between punk to indie with many inviting ports of call in between.
Great electro house music with crushing grooves for days.
Conjures the feeling of being inside a gritty, indie British gangster flick and/or hanging out in a pub on a dreary English afternoon.
If you’re in the mood for a melancholy, quiet, pretty album with a Beatles-y vibe (and with literal Beatles-y lineage), Friendly Fire fits the bill.
This album represents the best of the kind of music listening I do these days while working or hanging out with family and friends during cocktail hour.
It’s a fun (very) old school hip hop party album, and/but “Apache” is the towering achievement here that merits best 1,000 albums ever consideration.
“Scott Pilgrim” and many others are a fantastic blend of garage, poppy punk, and indie rock that are addictively ear pleasing.
Steppenwolf is a blend of late ‘60s psychedelia and hard rock which, melded together, gets you the term Acid Rock.
It’s fresh, indie, passionate, and punk, all the more remarkable for an album produced some four decades ago
Yeah, I know it’s audacious, a little crazy (okay, maybe a lot cray cray), bordering on criminal nerdery.
THE BEST 1,000 ALBUM EVER.
Here’s everything you could ever want to know about this project.