Doctor Who, “The Hungry Earth” & “Cold Blood”: super sticky buns time

Doctor Who - The Hungry Earth & Cold Blood

Must try harder.

Originally, I intended to write about this two-part story in the same manner as “The Time of Angels”/”Flesh and Stone”. That is, as two separate reviews. Unfortunately a couple of problems have made that somewhat impossible.

The first (and largest) problem is twofold; in short this two-part story is penned by Chris Chibnal. The man who penned the awful Doctor Who episode “42” and was responsible for many of the worst Torchwood episodes (“Cyberwoman”, “End of Days” and “Adrift” to name a few) and as such ended up near the top of the list of my least favorite Doctor Who writes. Now in his defense he isn’t responsible for the true horrors like “Love and Monsters” or “Daleks in Manhattan”/”Evolution of the Daleks but seeing his name next to an episode never fills me with confidence.

We’ll deal with “The Hungry Earth” first of all — it had a kind of fun opening section playing a little with the concept of time travel by having Amy and Rory see themselves 10 years later (on an adjacent hillside waving hello). It’s a nice touch, but it was clearly designed as a set up for later events.

The plot of the episode itself is almost entirely set up — there’s a facility ten years into the future that is drilling as deep as possible into the Earth’s crust just to break records (why in Wales? Budget my dear Watson, budget). The drill awakens some form of defense mechanism and people (both alive and dead) start disappearing. A pretty standard hook for a Who story, nothing much to complain about one way or the other.

Gradually we discover that there’s something coming up from below, the Earth swallowing people is part of a defense mechanism — more people get abducted, one of the denizens of whatever it is from below comes up and she’s a Star Trek-style lizard-woman ‘Homo Reptilias’ (yup, that’s what they’re called in this episode, though apparently they are Silurians, which is news to me as I can’t recall it being mentioned in the episode.)

The episode closes with Amy, a Welshman who’s only real personality trait is that he is ‘a father’ and the man’s son abducted and below ground; and the lizard-woman-warrior captured after injuring the grandfather of the family unit by giving him a sound tongue lashing.

If I sound like I’m being a little blase and offhand with the episode it’s because I spent 45 odd minutes watching the episode and being completely unentertained. Now I know I didn’t go into the episode with the most confident of outlooks but there was about 30 minutes of absolutely nothing relevant happening with all of the important stuff taking up about ten minutes of the total run time. Now to be fair the two part structure to the episode did give us the first genuinely tense cliff-hanger moment since, well, pretty much the 1990s (Amy about to be dissected and The Doctor encountering an entire underworld city), and I appreciate that a great deal. But the truth of the matter is this two-part story did not have the content to stand being stretched across two episodes, it feels like it was heavily padded out in order to make it fill the required time, and then stretched a bit further.

Everything important (apart from the last five minutes or so) happens in the second part of the story (“Cold Blood”) and that’s where the rest of this review is going to dwell.

“The Hungry Earth” was an episode filled with pretty much nothing, but fortunately “Cold Blood” has plenty going on in it. Opening with an intriguing narrative from Stephen Moore (I recognized his voice from the BBC Radio play and TV Show The Hitch Hikers Guide to the Galaxy; he played Marvin, the whale and the Ruler of the Universe amongst others) that gave the episode a bit of an epic spin, providing the significance that the previous episode completely lacked and desperately needed.

His role as the leader of ‘Homo Reptilias’ is a relatively minor one when you consider the framework of the episode: he’s brought in to provide a voice of reason and temper the military leader. Stephen Moore’s a great actor and a minor British icon (he was also in The Secret Diary of Adrian Mole and has guested in many other classic British shows) but he’s woefully underused here, spending a lot of his time in off-screen negotiations and then later siding with The Doctor with very little persuasion. I had to suspend my disbelief above a very high ravine in order to accept the speed in which he switched from ‘protecting his people’ to ‘gassing them if they’re not smart enough to run back into suspended animation’.

If you’re wondering why I haven’t mentioned much about the scientist who headed up the drilling project (played by Meera Syal), it’s because she’s another rather incidental character – the end of the episode sets things up to give her a possible return, but honestly I’m not bothered if she does make another appearance because she was another exceptionally shallow character in a story full of them. (I suspect she’s due to return in the series finale as the Silurian are rumored to be appearing in it).

In fact the only character (outside of our TARDIS travelers) who had any depth was Ambrose, the Mother/Wife/Daughter of the Welsh family and the one who kills Alaya. She’s portrayed as a worried and scared woman who’s lost her son and husband in a single day. It’s just a shame that she comes across as a horrible and unpleasant individual who really deserved a more unpleasant end than the one she received.

So on the whole the episode was not a good one either, making the entire story almost redundant. At least it would be if it wasn’t for the last few minutes of the episode (sound familiar?). Where we’re treated to not only another major teaser for the series finale with the Doctor pulling a burnt part of the TARDIS from one of the cracks in the wall — talk about deepening the mystery in a way that is infinitely superior to “Bad Wolf.” Not only do we get that, we also get poor old Rory diving in the way of a shot intended for the Doctor, acting exactly in the manner he warned that The Doctor caused the people he travelled with. But dying isn’t enough of a fate for Rory; not only is he killed but the crack in the wall gobbles him all up, removing him from the pages of history and making Amy forget her fiancé; ever existed.

But when the key events of a story can all be summed up in the end ten minutes of each episode and the rest is little more than padding I guess all that’s left is to break out the old red pen and write on the script “Must try harder.”

Other Observations:

  • It took a long time for me to make the connection between the Silurians of this episode and the ones from the Third Doctor mini-series ‘Doctor Who and the Silurians’. The change in appearance, alongside the fact that I’ve only watched those episodes once, meant I only made the connection when the Doctor mentioned that the last group of Homo Reptilias he met ended up slaughtered by humans. Props for linking back to the older Doctor Who episodes, but it wasn’t done too brilliantly (unlike the Library card from the previous story).
  • Looks like my concerns about Rory turning into another Mofatt ‘manchild’ character can be alleviated somewhat Rory’s not just dead, he now never existed, unless they write him back into existence in the season finale that is…
  • It was a pretty cheap writing trick to have the viewer see future Rory and Amy waving on a hillside when the story intended to kill Rory off in the most total and complete fashion possible.
  • It’s a little annoying that the erasure of Rory from existence and Amy’s memories means there’s no sense of grief or mourning for his passing. Only the Doctor remembers that he ever existed.
  • I’ll give them this much, some of the lines in the episode were great, especially the Doctor describing a tight situation as ‘super sticky buns time’.

Some stats and info about Doctor Who, “Vincent and the Doctor” 

TV SHOW – Doctor Who
NETWORK/STREAMING SERVICE – BBC/Britbox/Max
GENRE – Science Fiction, Drama, Adventure Shows
CREATED BY – Sydney Newman  
CAST – David Tennant, Matt Smith, Nicholas Briggs, Peter Capaldi, Jenna Coleman, Paul Kasey, Karen Gillan, Billie Piper, Jodie Whittaker, Mandip Gill, Arthur Darvill

This review originally appeared on TV Geek Army.

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