Louie Louie, oh no, me gotta go. Aye-yi-yi-yi, I said Louie Louie, oh baby, me gotta go.

Louie Louie, oh no, me gotta go. Aye-yi-yi-yi, I said Louie Louie, oh baby, me gotta go.
Feel good from morning till the end of the day.
Hey, hey, we’re The Monkees and people say we monkey around. But we’re too busy singing to put anybody down.
Girl, I want to be with you all of the time – all day and all of the night.
Too many teardrops for one heart to be crying.
Wind me up, put me down, start me off and watch me go.
Wherein we examine the most important question of our time: what is the most Wes Anderson movie song ever?
Why do we have to carry on? Always singing the same old song.
Coffee breaks and lamb’s tail shakes aren’t arbitrary marks.
Easily one of my favorite “new” finds of this decade.
The humans of Parquet Courts have banged out yet another remarkably consistent performance.
There are some powerful powerful, favorite favorite, classic classics going on here.
Hits that perfect sweet spot between alt rock and garage rock.
It’s fun and rock and pop and a little quirky and very British Invasion.
Brian Wilson and the Boys get into more mature, interesting, and nuanced territory versus the early hits.
Any band with a name that has a food word in front of a time telling device-related word has a huge shot of making this list.
It gets under your skin, holding a dark, rocking, and compelling power.
Melancholy yet upbeat, accessible yet deeply indie.
Revved up garage rock with punk attitude. Get it.
Fun power pop with a little punk and glam influence thrown in – nothing wrong with that (and much that’s right).
Early ‘80s new wave-meets-garage rock with fantastic keyboards.
Aggressive yet upbeat, fast paced and super fun power poppy punk by way of Seattle, Washington.
“Scott Pilgrim” and many others are a fantastic blend of garage, poppy punk, and indie rock that are addictively ear pleasing.
Steppenwolf is a blend of late ‘60s psychedelia and hard rock which, melded together, gets you the term Acid Rock.