Rewatching Mad Men’s pilot means asking dangerous questions.
Rewatching Mad Men’s pilot means asking dangerous questions.
From Ossining to LA to Rome and beyond, Mad Men left Madison Ave behind at key moments — here’s where the show’s best detours took us.
“Why would you deny yourself something you want?” – Joy
“Sure. Everything’s perfect.” – Betty
“To Monday morning: it’ll be here faster than you think.” – Freddy Rumsen
“I would never do this to you.” – Betty to Don
“You’re not Don Draper.” – Anna Draper
“You’re in their country. Learn to speak the language.” – Joan to Peggy
“This is America. Pick a job and then become the person that does it.” – Bobbie Barrett
“Don’t you love the chase? Sometimes it doesn’t work out, but those are the stakes.” – Roger
“I like being bad and then going home and being good.” – Bobbie Barrett
“American Airlines: pioneering vertical flight.” – Paul
“Young people don’t know anything – especially that they’re young.” – Don Draper
“I feel like myself when I’m with you, but the way I always wanted to feel.” – Don to Megan
“We’re gonna sit at our desks and keep typing while the walls fall down around us because we’re creative, the least important, most important thing there is.” – Don Draper
“I need a drink.” – Bert Cooper
Do you have any reason to believe Mr. Draper isn’t who he says he is? – Special Agent Landingham
“I’m not sorry. But I’m married, and so are you.” – Joan to Roger
Don Draper and Mad Men reach a strange and wonderful new plateau in the summer of 1965.
Where’s the bottom, you ask? There’s further to go down this lowball glass, I fear.
“Do you know the river of s— I’m going to get from her mother?” – Don Draper, upon learning of Sally’s hair cutting incident
“Right now my life is very…” – Don’s abandoned note, writing to Allison
“I could tell the minute she saw who I really was, she never wanted to look at me again.” – Don Draper
“What do all the good boys and girls want for Christmas? Lucky Strike!” – Roger Sterling
“Believe me, Henry, everybody thinks this is temporary.” – Don Draper to Henry Francis
From series composer David Carbonara’s contributions to period-specific pieces that zooms you back to the early 1960s, the music is one of the elements that makes Mad Men so special.
Here’s why “The Wheel” was ranked as the #1 episode of 13 Mad Men Season 1 episodes.
Here’s why “Red in the Face” was ranked as the #2 episode of 13 Mad Men Season 1 episodes.
Here’s why “Smoke Gets In Your Eyes” was ranked as the #3 episode of 13 Mad Men Season 1 episodes.
Here’s why “Marriage of Figaro” was ranked as the #4 episode of 13 Mad Men Season 1 episodes.
Here’s why “Babylon” was ranked as the #5 episode of 13 Mad Men Season 1 episodes.
Here’s why “Nixon vs. Kennedy” was ranked as the #6 episode of 13 Mad Men Season 1 episodes.
Here’s why “Long Weekend” was ranked as the #7 episode of 13 Mad Men Season 1 episodes.
Here’s why “The Hobo Code” was ranked as the #8 episode of 13 Mad Men Season 1 episodes.
Here’s why “5G” was ranked as the #9 episode of 13 Mad Men Season 1 episodes.
Here’s why “Ladies Room” was ranked as the #10 episode of 13 Mad Men Season 1 episodes.
Here’s why “New Amsterdam” was ranked as the #11 episode of 13 Mad Men Season 1 episodes.
Here’s why “Indian Summer” was ranked as the #12 episode of 13 Mad Men Season 1 episodes.
Here’s why “Shoot” was ranked as the #13 episode of 13 Mad Men Season 1 episodes.